老彼得今年回家过年。小年夜(2月15号)到家,3月5号飞回去,前后差不多十七八天。
按照计划,第一周休假,最后几天也休假。中间那一周按公司规程走Work from Anywhere(一年总共有一个月的Work from Anywhere)。
我就随便写写这段时间他的经历。

从2022年底ChatGPT问世,这三年来所谓AI的发展已经令人眼花缭乱:文字对话,图像,音乐,视频,编程……几乎我们日常使用电脑的每个领域,都有了AI的参与。
我也在力图跟上这些最新技术的发展,但最大的问题在于:那时国内模型还没有跟上,而国外的模型对国内的用户又是极不友好——这就让我很羡慕朋友圈里能第一时间用到这些AI的伙计。
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In Isaac Asimov’s Foundation series, the Mule is a memorable mutant individual—a deformed person with the ability to control minds, whose appearance disrupts the precise predictions of psychohistory, shifting the trajectory of the entire galaxy. However, when we examine international politics in the real world, we may discover a more complex phenomenon: it is not that individuals become “Mules” to break the system, but that the system determines actions, and individuals like the president are merely Mules. This article, based on in-depth discussions, explores the transition from the “Mule” metaphor to mechanisms of political constraints in reality.
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引言
要说我们最不缺的,就是“surprise”。
前天看到这么一篇文章:《备案才能笑?相声的脊椎正在被抽走》。这真的是一个比大菜更surprise的surprise——其实,我也不是那么surprise。
第一部分:艺术的“脊椎”与“条条框框”
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